Focused on
- the theatrical space as a collective projection space
- people
- the idea of heterotopia
- light and sound and machines
- finding time to make more canu trips
=== Bio Bio ===
Bruno was born in France in 1968. He studied performance and photography at the school of fine arts in Dijon.
His first experiences with stage work led him to a wide range of technical activities: stage technique, light technique, set construction and technical direction for many venues and festivals in France and Germany (a.o. Nouvelles Scènes Dijon, Art Danse Bourgogne, La Ménagerie de Verre Paris, Kampnagel Hamburg, Sommertheater Hamburg).
Since 1997 he is involved in several international contemporary dance and theater projects as light designer, sound designer, technical director and sometimes performer. He has been collaborating with Alice Chauchat, Christine De Smedt, Mette Edvardsen, Alix Eynaudi, Anne Juren, Xavier Le Roy, Lilia Mestre, Martin Nachbar, Martine Pisani, Carlos Pez, Felix Ruckert, Eszter Salamon, Lito Walkey a.o. (he still collaborates with some of them :)).
He has an adress in Berlin since 2001, lives and works there and everywhere else :).
A regular and close collaboration started in 2002 with Isabelle Schad with the project 'The Better You look The More You See'. In 2003, together with the architect Ben Anderson, they co-founded the artistic network 'Good Work', a collaborative structure that generated until now 5 pieces, each of them co-signed by its initiators:
- 'California roll': Anderson / Hedman / Pocheron / Schad
- 'Revolver': Bizarro / Pocheron / Schad
- 'Leistung': Anderson / Bélanger / Pocheron / Schad
- 'White Trash': Anderson / Lachambre / Pocheron / Schad
- and the site specific project 'Still lives' realized in several european cities that involves several artists in different constellations - Ben Anderson, Simone Aughterlony, Frédéric Gies, Phil Hayes, Hanna Hedman, Olivier Heinry, Manuel Pelmus, Bruno Pocheron, Isabelle Schad and Heiko Schramm.
He initiates the latest project happening in the frame of 'Good Work': a series of meetings on interdisciplinarity named Gangplank, the first of them hosted in PACT-Zollverein Essen in july 2009.
In 2009, Bruno also designs the lights for 'Sweet Dreams Are Made' by Simone Aughterlony and Isabelle Schad and co-designs the lights for 'Deserve' by Simone Aughterlony together with Florian Bach.
email: bpmonkey68 (snail) gmail (dot) com
isabelle schad / good work productions